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Milan Kundera Biography

born: April 1, 1929

Milan Kundera is a Franco-Czech writer. He is best known as the author of The Unbearable Lightness of Being.

Kundera was born in Brno, Czechoslovakia but has lived in France since 1975, and has been a French citizen since 1981. He was born into the highly cultured middle class family of Ludvík Kundera (1891-1971), a pupil of the composer Leoš Janácek and an important Czech musicologist and pianist, the head of the Brno Musical Academy between 1948 and 1961. From early years on, Kundera learnt to play the piano with his father. Later, he also studied musicology. Musicological influences can be found throughout Milan Kundera's work.

The author completed his secondary school studies in Brno in 1948. He then started studying literature and aesthetics at the Faculty of Arts at Charles University, but after two terms he transferred to the Film Faculty of Academy of Performing Arts in Prague, where he first attended lectures in film direction and then in script writing. In 1950, he was temporarily forced to interrupt his studies for political reasons. After graduation in 1952 he was appointed lecturer in world literature at the Film Academy. Kundera belonged to the generation of young Czechs who had not properly experienced the pre-war democratic Czechoslovak Republic. Their growing up was greatly influenced by the experiences of the Second World War and the German occupation. The experience of German totalitarianism instilled in these young people a somewhat black-and-white vision of reality. It propelled them towards Marxism and membership of the Communist Party. Milan Kundera joined the ruling Czechoslovak Communist Party in 1948, while still in his teens. In 1950 he and another Czech writer, Jan Trefulka, were expelled from the party for "anti-party activities". Trefulka described the incident in his novella Pršelo jim štestí (Happiness Rained on Them, 1962), Kundera used the incident as an inspiration for the main theme of his novel Žert (The Joke, 1967). Milan Kundera was re-admitted into the Communist Party in 1956. In 1970, he was expelled from the Party for the second time. Kundera, along with other Czech artists and writers such as Václav Havel, was involved in the 1968 Prague Spring, the brief period of reformist optimism that was eventually crushed by a Soviet invasion of Czechoslovakia in August of 1968.


In his first book, The Joke, he gave a satirical account of the nature of totalitarianism in the Communist era. Because of his criticism of the Soviets and their 1968 invasion of his homeland, Kundera was black-listed and his works were banned shortly after the Soviet invasion. In 1975, Kundera fled to France. There he wrote The Book of Laughter and Forgetting, (1979) which told of Czech citizens opposing the Soviet regime in various ways. A strange mixture of a novel, a short story collection and a group of the author's musings, the book set the tone for his post-exile works.

In 1984, he released The Unbearable Lightness of Being, which is his most popular work. The book chronicled the life of a Czech couple's difficulties adjusting to life with each other and to the Soviet occupation. In 1988, American director Philip Kaufman released a moderately successful film version of the novel. In 1990, Kundera released Immortality. The novel was more cosmopolitan than his others with a more explicit philosophical (and less political) content and would set the tone for his later novels.

Kundera has repeatedly insisted that he be considered a novelist in general rather than a political or dissident writer; political commentary has all but disappeared from his novels (starting specifically from The Book of Laughter and Forgetting) except in relation to broader philosophical themes. Kundera's style of fiction, interlaced with philosophical digression, greatly inspired by Musil's novels and Nietzsche's prose, is also used by authors Alain de Botton and Adam Thirlwell. Kundera takes his inspiration, as he underlines often enough, not only from the Renaissance of Boccaccio and Rabelais, but also from Sterne, Diderot, Musil, Gombrowicz, Broch, Kafka and Heidegger.

Milan Kundera uses a technique called psychological realism in order to describe his characters. He's more concerned in the thought processes of his characters than their physical appearances. He believes that the reader's imagination automatically completes the writer's vision.

It has also been suggested that Kundera works within an overall oeuvre rather than limiting his ideas to the scope of just one novel at a time. Rather, themes and meta-themes exist across the entire oeuvre as a whole and each new stage of his own thinking process reflected in the books serves to reflect upon these same ideas. Some of these meta-themes which operate across the oeuvre are exile, identity, life beyond the border (beyond love, beyond art, beyond seriousness), history as continual return and the pleasure of a less 'important' life. Many of the characters carry these ideas at the expense of a fully-developed sense of their own specifics which tend to be rather vague, and often more than one character within a given novel will be used, even to the extent of completely discontinuing a character and resuming the "plot" of the theme with a brand new character. An important idea to support this model of writing is that as there have been far more people than gestures, it is gestures which borrow people, not the other way round. (Paraphrased from Immortality.)

In 1985 Kundera received the Jerusalem Prize. His acceptance address is printed in his essay collection The Art of the Novel. It has also been rumored that he was considered for the Nobel Prize for literature.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Milan Kundera"

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